Vera Naydenova
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Statement
Subtitle
In my creative practice, I consider photography both a method of research and a medium for communication. I am interested in archives, the past, chance, found imagery and objects, and personal possessions. I experiment with collage, stitching, bookmaking. I work towards developing a vocabulary and strategies of investigation and engagement that could be translated into different contexts. My process is one that starts with observation and introspection and builds up in walking and conversation. The collecting of raw impressions and material is led by incident and intuition, followed by intentional research and iterations of editing. I try to make sense of my findings through the prism of deeply personal experiences. The new narrative resulting from my process is left open to interpretation, ambiguous, cryptic even in terms of factuality. Rather than documenting and speaking directly, I am inclined to appropriate, retell, reinvent and rearrange fragments into new stories and imaginings, offering a possibility for multiple readings that are up to each viewer.
What fascinates me.
Found objects
In my photography, found objects serve as gateways to untold stories and hidden histories. I am fascinated by how everyday items, once cherished and personal, can acquire new meanings when placed in different contexts. By capturing these objects, I aim to uncover the layers of their past and the narratives they silently carry. Each found object becomes a focal point for exploration, inviting viewers to contemplate the connections between the item, its origins, and the broader human experiences it represents.
Photography as meditation
For me, photography is a meditative practice that fosters mindfulness and introspection. Each moment behind the camera is an opportunity to engage deeply with my surroundings, to observe and appreciate the subtle details that often go unnoticed. This contemplative approach allows me to slow down and connect with the present, transforming the act of taking a photograph into a form of personal reflection. Through this meditative lens, my work becomes not just a visual record, but a journey of self-discovery and emotional expression.
Personal archives
Personal archives are the backbone of my creative practice, offering a tangible link to memories and identities. I delve into collections of photographs, letters, and mementos to piece together fragmented narratives that speak to both personal and universal themes. Through my lens, I reinterpret these archives, transforming them into visual stories that bridge the past and present. This process not only preserves fleeting moments but also allows for a deeper understanding of how our histories shape who we are and how we perceive the world around us.
Urban-Rural-Natural Phenomena
The interplay between urban, rural, and natural environments captivates my photographic vision. I am intrigued by the contrasts and harmonies that emerge when these distinct landscapes intersect. Whether it's the bustling energy of a cityscape, the serene beauty of the countryside, or the raw power of natural phenomena, each setting offers unique opportunities for storytelling. My work seeks to highlight the dynamic relationships between these environments, exploring how they influence each other and the lives of those who inhabit them.